
Essay
What the slide projector knew that we have forgotten.
A long meditation on how 35mm slides shaped the way a generation of artists looked at their own work — and what was lost when we stopped projecting.
Long-form pieces about contemporary practice, criticism, and the structures within which both happen. Usually 3,000 to 6,000 words. Always written by people we trust to take the time.

A long meditation on how 35mm slides shaped the way a generation of artists looked at their own work — and what was lost when we stopped projecting.

Why "the studio is where the work happens" is, in 2026, less true than at any point in the past century — and what that means for how we write about practice.